Scores & Links
IMSLP (score)
Max Reger (1873-1916)
Nationality:
German
Born: March 19, 1873, Brand Died: May 11, 1916, Leipzig (age 43)
Suite in a minor, Op. 131c, No. 3
(for solo cello)
| 6:08 | I. | Präludium. Sostenuto | |
| 7:09 | II. | Scherzo. Vivace | |
| 8:40 | III. | Andante con variazioni |
Duration: 22 minutes (approximately)
Composed:
1915 (age 41-42)
2 recordings,
6 videos
autoopen
autoplay
5:46
Ulrich Horn
I.
Präludium. Sostenuto
6:01
Ulrich Horn
II.
Scherzo. Vivace
7:49
Ulrich Horn
III.
Andante con variazioni
6:28
Karen Buranskas
I.
Präludium. Sostenuto
8:36
Karen Buranskas
II.
Scherzo. Vivace
8:58
Karen Buranskas
III.
Andante con variazioni
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glossary
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- prelude, prélude, präludium [G], präludien [G, pl], praeludium, preludio—a movement preceding another almost by way of introduction: to let listeners and players acclimate, often to prepare for greater demands ahead
- scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
- solo—a piece or section of a piece featuring a single instrumental part. Often, this implies one instrument alone but may indicate a soloist with accompaniment (e.g. continuo) especially in a section within a larger work for ensemble
- sostenuto [I], soutenu [F]—sustained, perhaps a bit slow
- suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.
- tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
- variation, variazione, variatio, variato, variata—a modified re-iteration of a previous theme, reprise, couplet, etc. The music is varied, embellished or creatively transformed for variety while maintaining a unity relationship with the original. See "Theme and Variations."
- vivace—brisk, lively tempo faster than allegro