Mieczysław Weinberg

Mieczysław Weinberg (1919-1996)

Nationality: Soviet | Polish
Born: December 8, 1919, Warsaw Died: February 26, 1996, Moscow (age 76)
wikipedia

Violin Sonata No. 3, Op. 37

(for violin and piano)
4:16 I. Allegro moderato
7:17 II. Andantino
8:31 III. Allegretto cantabile
Duration: 19 minutes (approximately)
Composed: 1947 (age 27-28)
2 recordings, 6 videos
autoopen autoplay
4:19
Gallardo, Roth
I. Allegro moderato
7:51
Gallardo, Roth
II. Andantino
9:00
Gallardo, Roth
III. Allegretto cantabile
4:13
Blacher, Nemtsov
I. Allegro moderato
6:43
Blacher, Nemtsov
II. Andantino
8:01
Blacher, Nemtsov
III. Allegretto cantabile

Related Composers

1900 WWI WWII Vasily Zolotarev (1872-1964) Dmitri Shostakovich (1906-1975) Mieczysław Weinberg (1919-1996)
Vasily Zolotarev
Vasily Zolotarev (1872-1964)
Teacher
Nationality: Russian | Soviet
Born: February 24, 1872, Taganrog Died: May 25, 1964, Moscow (age 92)
Dmitri Shostakovich
Dmitri Shostakovich (1906-1975)
friend, colleague
Nationality: Russian | Soviet
Born: September 25, 1906, St. Petersburg Died: August 9, 1975, Moscow (age 68)

glossary

  • allegretto—moderately quick tempo. slower than allegro but faster than andante
  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
  • cantabile, cantate, cantando—singing, lyrical, flowing
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
  • moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
  • violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.