Mieczysław Weinberg (1919-1996)

Nationality: Soviet | Polish

Born: December 8, 1919, Warsaw Died: February 26, 1996, Moscow (age 76)

wikipedia

Violin Sonata No. 5, Op. 53

(for violin and piano)

5:32	I.	Andante con moto
6:51	II.	Allegro molto
6:01	III.	Allegro moderato
8:33	IV.	Allegro – Andante – Allegretto – Andante

Duration: 27 minutes (approximately)

Composed: 1953 (age 33-34)

1 recording, 4 videos

autoopen autoplay

5:32

Maria Sławek Piotr Różański

I. Andante con moto

6:51

Maria Sławek Piotr Różański

II. Allegro molto

6:01

Maria Sławek Piotr Różański

III. Allegro moderato

8:33

Maria Sławek Piotr Różański

IV. Allegro – Andante – Allegretto – Andante

Related Composers

Vasily Zolotarev (1872-1964)

Teacher

Nationality: Russian | Soviet

Born: February 24, 1872, Taganrog Died: May 25, 1964, Moscow (age 92)

Dmitri Shostakovich (1906-1975)

friend, colleague

Nationality: Russian | Soviet

Born: September 25, 1906, St. Petersburg Died: August 9, 1975, Moscow (age 68)

glossary

allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
molto [It]—very much
moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.