Muzio Clementi (1752-1832)

Nationality: Italian | English

Born: January 23, 1752, Rome Died: March 10, 1832, Evesham, England (age 80)

wikipedia | imslp

Sonata for Piano Trio in G major, Op. 29, No. 2

(for violin, cello and piano)

4:14		I.	Allegro moderato
3:13		II.	Rondeau. Allegro vivace

Duration: 9 minutes (approximately)

Published: 1793 (age 40-41)

1 recording, 2 videos

autoopen autoplay

4:14

Trio Fauré

I. Allegro moderato

3:13

Trio Fauré

II. Rondeau. Allegro vivace

Related Composers

Carl Czerny (1791-1857)

Student

Nationality: Austrian

Born: February 21, 1791, Vienna Died: July 15, 1857, Vienna (age 66)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
rondeau, rondeaux—An early Baroque instrumental form featuring a recurring refrain interspersed with contrasting couplets or episodes. Eventually transformed into the Rondo of the classical period.
rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
vivace—brisk, lively tempo faster than allegro