Paul Juon (1872-1940)
Nationality:
Swiss
|
Russian
Born: March 6, 1872, Moscow Died: August 21, 1940, Vevey (age 68)
Trio Miniaturen for Piano Trio, Op. 18a, 24a
(for violin, cello and piano)
| 4:07 | I. | Rêverie | |
| 2:10 | II. | Humoreske | |
| 2:29 | III. | Elegie | |
| 1:53 | IV. | Danse phantastique |
Duration: 11 minutes (approximately)
Published:
1901 (age 28-29)
2 recordings,
8 videos
autoopen
autoplay
3:48
Trio Paian
I.
Rêverie
2:06
Trio Paian
II.
Humoreske
2:29
Trio Paian
III.
Elegie
1:50
Trio Paian
IV.
Danse phantastique
4:02
Søren Birkelund, Ulrikke Høst-Madsen, Merete Westergaard
I.
Rêverie
2:18
Søren Birkelund, Ulrikke Høst-Madsen, Merete Westergaard
II.
Humoreske
2:35
Søren Birkelund, Ulrikke Høst-Madsen, Merete Westergaard
III.
Elegie
1:55
Søren Birkelund, Ulrikke Høst-Madsen, Merete Westergaard
IV.
Danse phantastique
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glossary
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- dance, danse [F], danza [I,sp], Tanz [G], Ballo [I]—dance; dancing
- elegy, elégie [F], elegie [G], elegisch, elegiaco, elegaico [I], élégiaque [F]—a plaintive, mournful poem, more specifically a lament for the dead. Usually implies a slow tempo, a minor key and a dark poignancy with potential spikes of tragic agony or, just as well, a gentle, bright flowering into nostalgic love of great tenderness. A musical narrative combining all of these moods is a hauntingly faithful representation of grief
- fantasia, fantasy, fantazy, fantazia, phantasy, phantasie, fancy, fantasie [G], fantaisie [F] —generally, a piece of music favoring a free flight of expression over strict adherence to formal rules; suggesting an improvisational character. However, there are at least two more specific historical meanings: 1) the fantasia/fantasie/fancy of English Renaissance viol consort music and 2) Cobbett's Phantasie, an early 20th century form of single-movement chamber music inspired by the Renaissance fancy with the goal of stimulating new English chamber or "consort" music.
- humoresca [I], humoresque [F], humoreske [G]—an instrumental piece with a humorous or fanciful character
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- phantastique [F], phanstastisch [G]—fanciful, imaginative, in the manner of a fantasy
- piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
- rêverie—a daydream or nostalgic reflection