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IMSLP (score)
Peter Ritter (1763-1846)
Nationality:
German
Born: July 2, 1763, Baden-Württemberg Died: August 1, 1846, Baden-Württemberg (age 83)
Sonata in D major, 6 Cello Sonatas, No. 6
(for cello and basso (cello))
| I. | Adagio - Allegro | ||
| II. | Andante con tenerezza [con variazioni] |
Note: Sei Sonate per il Violoncello con Accompagnamento d'un Basso
Related Composers
Georg Wenzel Ritter (1748-1808)
uncle
Nationality:
German
Born: April 7, 1748 Died: June 16, 1808 (age 60)
Georg Joseph Vogler (1749-1814)
Teacher
Nationality:
German
Born: June 15, 1749, Würzburg Died: May 6, 1814, Darmstadt (age 64)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- cello sonata, sonata per violoncello [I], sonate pour violoncelle [F], Cellosonate [G]—a multi-movement work for cello and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the cello would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players. Cello Sonatas rank with Violin Sonatas as among the most "serious", numerous and important compositions for the duo sonata. Explore the cello sonata.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
- tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
- teneramente [I], tenero, con tenerezza, tendrement [F], tendre—tenderly, lovingly, gently
- variation, variazione, variatio, variato, variata—a modified re-iteration of a previous theme, reprise, couplet, etc. The music is varied, embellished or creatively transformed for variety while maintaining a unity relationship with the original. See "Theme and Variations."