Scores & Links

IMSLP (score)

featured on these lists

All Listed Works La Musique de Chambre
Pietro Locatelli

Pietro Locatelli (1695-1764)

Nationality: Italian
Born: September 3, 1695, Bergamo Died: March 30, 1764, Amsterdam (age 68)
wikipedia | imslp

Sonata in G major, Op. 8, No. 5

(for violin and continuo)
6:33 I. Largo
4:13 II. Allegro
3:44 III. Andante
4:17 IV. Allegro
Duration: 14 minutes (approximately)
Published: 1744 (age 48-49)
1 recording, 4 videos
autoopen autoplay
6:33
Igor Ruhadze, Mark Dupere, Vaughan Schlepp
I. Largo
4:13
Igor Ruhadze, Mark Dupere, Vaughan Schlepp
II. Allegro
3:44
Igor Ruhadze, Mark Dupere, Vaughan Schlepp
III. Andante
4:17
Igor Ruhadze, Mark Dupere, Vaughan Schlepp
IV. Allegro

Related Composers

1700 Arcangelo Corelli (1653-1713) Pietro Locatelli (1695-1764)
Arcangelo Corelli
Arcangelo Corelli (1653-1713)
Teacher
Nationality: Italian
Born: February 17, 1653, Fusignano Died: January 8, 1713, Rome (age 59)

glossary

  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
  • largo—slow, solemn, sustained.slower than lento. faster than grave
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.