René de Boisdeffre (1838-1906)

Nationality: French

Born: April 3, 1838, Vesoul Died: November 25, 1906, Vézelise (age 68)

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Sextet in B-flat major, Op. 43

(for 2 violins, viola, cello, bass and piano)

		I.	Allegro deciso
		II.	Scherzo. Allegro grazioso - Trio I - Trio II
		III.	Andante sostenuto
		IV.	Final. Allegro con brio

Published: 1890 (age 51-52)

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glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
brio [I], con brio, brioso—vigor, vigorously, with fire
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
deciso [It]—decisive, bold, forceful
finale [I], final [F]—The final movement, sometimes explicitly titled thus
grazioso [I], con grazia, gratioso, graziös [G], Mit Grazie—graceful, gracefully; easy
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
sextet, sextour [F], sestetto [I]—six. Ensemble (or work) for six players.
sostenuto [I], soutenu [F]—sustained, perhaps a bit slow
trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.