René de Boisdeffre (1838-1906)

Nationality: French

Born: April 3, 1838, Vesoul Died: November 25, 1906, Vézelise (age 68)

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Suite poétique, Op. 19

(for violin and piano)

		I.	Prélude. Allegretto sostenuto
		II.	Méditation. Lent et expressif
		III.	Berceuse. Moderato
		IV.	Elégie. Moderato expressif
		V.	Sérénade mystérieuse. Andantino grazioso
		VI.	Pastorale. Allegretto grazioso

Published: c. 1879 (age 40-41)

Source: European Chamber Music Teachers' Association (ECMTA)

Related Composers

glossary

allegretto—moderately quick tempo. slower than allegro but faster than andante
andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
elegy, elégie [F], elegie [G], elegisch, elegiaco, elegaico [I], élégiaque [F], elegia—a plaintive, mournful poem, more specifically a lament for the dead. Usually implies a slow tempo, a minor key and a dark poignancy with potential spikes of tragic agony or, just as well, a gentle, bright flowering into nostalgic love of great tenderness. A musical narrative combining all of these moods is a hauntingly faithful representation of grief
espressivo [It], con espressione, expressif [Fr]—expressive, with expression.with feeling
et [Fr]—and
grazioso [I], con grazia, gratioso, graziös [G], Mit Grazie—graceful, gracefully; easy
lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
pastorale, pastoral—referring to the bucolic setting of shepherds, the countryside and an idealized relationship to nature
prelude, prélude, präludium [G], präludien [G, pl], praeludium, preludio—a movement preceding another almost by way of introduction: to let listeners and players acclimate, often to prepare for greater demands ahead
serenade, serenada, serenata [I], sérénade [F]—A suite of movements like a divertimento with similar connotations of lightheartedness, pleasure and relative calm with an emphasis on lyricism and often beginning with a march. Historically evokes the evening, outdoors, an honorific or amorous tribute, especially from a suitor to a lover in a window or balcony. The word serenade has its Latin origins the Latin word for "calm" or serene. wiki
sostenuto [I], soutenu [F]—sustained, perhaps a bit slow
suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.