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Approaching a Canon All Listed Works La Musique de Chambre Harenberg Kulturführer Music@Menlo Sonatas. Berger
Richard Strauss (1864-1949)
Nationality:
German
Born: June 11, 1864, Munich Died: September 8, 1949, Garmisch-Partenkirchen (age 85)
Cello Sonata in F major, Op. 6, TrV 115
(for cello and piano)
| 9:29 | I. | Allegro con brio | |
| 8:11 | II. | Andante ma non troppo | |
| 8:54 | III. | Finale. Allegro vivo |
Duration: 30 minutes (approximately)
Composed:
1880-1883 (age 15-19)
5 recordings,
11 videos
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26:42
Reuss, Mizumura
9:45
Johannes Moser, Paul Rivinius
I.
Allegro con brio
8:27
Johannes Moser, Paul Rivinius
II.
Andante ma non troppo
8:50
Johannes Moser, Paul Rivinius
III.
Finale. Allegro vivo
9:07
David Geringas, Tatjana Schatz
I.
Allegro con brio
8:14
David Geringas, Tatjana Schatz
II.
Andante ma non troppo
8:37
David Geringas, Tatjana Schatz
III.
Finale. Allegro vivo
10:05
Knyazev (cello), Berezovskiy
I.
Allegro con brio
7:52
Knyazev (cello), Berezovskiy
II.
Andante ma non troppo
9:15
Knyazev (cello), Berezovskiy
III.
Finale. Allegro vivo
34:23
Gutman, Virsaladze
Related Composers
Ludwig Thuille (1861-1907)
friend
Nationality:
German
Born: November 30, 1861, Bozen Died: February 5, 1907, Munich (age 45)
Joseph Jongen (1873-1953)
Student
Nationality:
Belgian
Born: December 14, 1873, Liège Died: July 12, 1953, Sart-lez-Spa (age 79)
Josef Rheinberger (1839-1901)
Teacher
Nationality:
German
Born: March 17, 1839, Vaduz, Liechtenstein Died: November 25, 1901, Munich (age 62)
glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- brio [I], con brio, brioso—vigor, vigorously, with fire
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- ma—but, however
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
- vivo—lively, intense