Robert Fuchs (1847-1927)
Nationality:
Austrian
Born: February 15, 1847, Frauental, Styria Died: February 19, 1927, Vienna (age 80)
Terzet for String Trio in D major, Op. 61, No. 2
(for 2 violins and viola)
| 6:51 | I. | Energisch bewegt, doch nicht zu rasch | |
| 4:23 | II. | In ruhiger Anmuth | |
| 2:39 | III. | Anmuthig bewegt | |
| 3:20 | IV. | Mässig bewegt | |
| 4:01 | V. | Mässig bewegt, anmuthig |
Duration: 22 minutes (approximately)
Published:
1898 (age 50-51)
Dedication: Dr. Theodor Krizan
1 recording,
5 videos
autoopen
autoplay
6:51
Mark Miller, Kristin Jutras, Ute Miller
I.
Energisch bewegt, doch nicht zu rasch
4:23
Mark Miller, Kristin Jutras, Ute Miller
II.
In ruhiger Anmuth
2:39
Mark Miller, Kristin Jutras, Ute Miller
III.
Anmuthig bewegt
3:20
Mark Miller, Kristin Jutras, Ute Miller
IV.
Mässig bewegt
4:01
Mark Miller, Kristin Jutras, Ute Miller
V.
Mässig bewegt, anmuthig
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glossary
- anmut [G], anmutig, anmuth, anmuthig—grace, charm, elegance, sweetness, daintiness; graceful, charming, dainty, sweet, elegant
- bewegt [G], mit Bewegung—with motion, animated
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- doch—but, however
- energico, con energia, énergique [F], avec énergie [F], energisch [G]—with energy, force, vigor and power
- mässig [G], mäßig. maessig—moderate, moderately
- nicht—not
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- rasch—quick
- ruhig [G], mit Ruhe, ruhevoll—quiet, calm, restful
- string trio, Streichtrio [G], Trio d'archi [I], Trio à cordes [F], Trío de cuerdas [S] —a work for three stringed instruments, most commonly violin, viola and cello. A more rarefied form than the string quartet perhaps because the texture is sparse (each instrument highly exposed) and the means more difficult for natural harmonic richness. But these become challenges and assets in the great trios. Trios almost always emphasize countrapuntal writing with each of the three players in strong relief.
- terzetto, Terzet [G]—"little" trio
- zu [G]—too, to, in order to