Born: April 30, 1903, BerlinDied: October 19, 1960, Herford (age 57)
glossary
allegretto—moderately quick tempo. slower than allegro but faster than andante
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
e [It]—and
ein [G], eine—a, an
grazioso [I], con grazia, gratioso, graziös [G], Mit Grazie—graceful, gracefully; easy
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
serenade, serenada, serenata [I], sérénade [F]—A suite of movements like a divertimento with similar connotations of lightheartedness, pleasure and relative calm with an emphasis on lyricism and often beginning with a march. Historically evokes the evening, outdoors, an honorific or amorous tribute, especially from a suitor to a lover in a window or balcony. The word serenade has its Latin origins the Latin word for "calm" or serene. wiki
string trio, Streichtrio [G], Trio d'archi [I], Trio à cordes [F], Trío de cuerdas [S]
—a work for three stringed instruments, most commonly violin, viola and cello. A more rarefied form than the string quartet perhaps because the texture is sparse (each instrument highly exposed) and the means more difficult for natural harmonic richness. But these become challenges and assets in the great trios. Trios almost always emphasize countrapuntal writing with each of the three players in strong relief.
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
theme, tema [I], Thema [G]—a complete and recognizable musical entity (e.g. melody) used as the basis for elaboration (e.g. variations, sontata, fugue, etc.). Also called a subject. Motif (motive) is generally a smaller fragmentary entity.