Vincent d'Indy (1851-1931)
Nationality:
French
Born: March 27, 1851, Paris Died: December 2, 1931, Paris (age 80)
Trio in B-flat major, Op. 29
(for clarinet (or violin), cello and piano)
| 14:28 | I. | Overture | |
| 6:01 | II. | Divertissement | |
| 6:05 | III. | Chant élégiaque | |
| 9:50 | IV. | Finale |
Duration: 38 minutes (approximately)
Composed:
1887 (age 35-36)
5 recordings,
21 videos
autoopen
autoplay
15:38
Transatlantic Trio
I.
Overture
6:07
Transatlantic Trio
II.
Divertissement
5:54
Transatlantic Trio
III.
Chant élégiaque
9:37
Transatlantic Trio
IV.
Finale
15:13
Trio di Buson
I.
Overture
6:32
Trio di Buson
II.
Divertissement
6:31
Trio di Buson
III.
Chant élégiaque
10:26
Trio di Buson
IV.
Finale
13:42
Montagnana Trio
I.
Overture
5:11
Montagnana Trio
II.
Divertissement
6:02
Montagnana Trio
III.
Chant élégiaque
9:37
Montagnana Trio
IV.
Finale
13:19
Camerata RCO
I.
Overture
6:10
Camerata RCO
II.
Divertissement
6:13
Camerata RCO
III.
Chant élégiaque
10:00
Camerata RCO
IV.
Finale
7:51
Bartha, Orbán, Kalakonas
I.
Overture
(part 1)
5:33
Bartha, Orbán, Kalakonas
I.
Overture
(part 2)
6:04
Bartha, Orbán, Kalakonas
II.
Divertissement
5:47
Bartha, Orbán, Kalakonas
III.
Chant élégiaque
9:28
Bartha, Orbán, Kalakonas
IV.
Finale
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glossary
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- chant [F]—song, hymn, chant
- divertimento [I], divertissement [F]—amusement, diversion, entertainment, even table music; Typically, a suite of movements (often more than 4) often intended for diversion and pleasure of a lighthearted nature suitable for social occasions. Typically implies a smaller chamber ensemble. The name was common in 18th century for a variety of music, some of which was more serious and profound than its title would suggest. The French divertissement can apply to an entr'acte: dances and airs from other acts.
- elegy, elégie [F], elegie [G], elegisch, elegiaco, elegaico [I], élégiaque [F]—a plaintive, mournful poem, more specifically a lament for the dead. Usually implies a slow tempo, a minor key and a dark poignancy with potential spikes of tragic agony or, just as well, a gentle, bright flowering into nostalgic love of great tenderness. A musical narrative combining all of these moods is a hauntingly faithful representation of grief
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- overture, ouvertura, ouverture—an introduction, typically in a multi-movement work such as a suite. May introduce or summarize themes to come in subsequent movements.
- trio (1)—an ensemble or work for 3 players