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IMSLP (score)
Vincent d'Indy (1851-1931)
Nationality:
French
Born: March 27, 1851, Paris Died: December 2, 1931, Paris (age 80)
Suite en parties (for flute, string trio and harp), Op. 91
(for violin, viola, cello, flute and harp)
| 4:01 | I. | Entrée en sonate. Modérément animé | |
| 2:28 | II. | Air Désuet. Modéré, sans lenteur | |
| 6:40 | III. | Sarabande avec deux doubles. Assez lent | |
| 4:51 | IV. | Farandole Variée (en Roundeau). Avec entrain (Mouvement de Marche) |
Duration: 16 minutes (approximately)
Composed:
1927 (age 75-76)
2 recordings,
8 videos
autoopen
autoplay
4:05
Francois Kerdoncuff, et. al.
I.
Entrée en sonate. Modérément animé
2:34
Francois Kerdoncuff, et. al.
II.
Air Désuet. Modéré, sans lenteur
8:03
Francois Kerdoncuff, et. al.
III.
Sarabande avec deux doubles. Assez lent
4:51
Francois Kerdoncuff, et. al.
IV.
Farandole Variée (en Roundeau). Avec entrain (Mouvement de Marche)
3:56
Carlo Jans, et. al.
I.
Entrée en sonate. Modérément animé
2:21
Carlo Jans, et. al.
II.
Air Désuet. Modéré, sans lenteur
5:16
Carlo Jans, et. al.
III.
Sarabande avec deux doubles. Assez lent
4:51
Carlo Jans, et. al.
IV.
Farandole Variée (en Roundeau). Avec entrain (Mouvement de Marche)
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glossary
- Air [Fr], Air [E], Ayre [E], Aire, Aria [I]—Song. Traditionally indicates a piece of melodic or vocal nature as opposed to one of dance-like character (i.e. in form or rhythm). An aria typically refers to a formalized song within an opera context for one or more voice
- animato, animé [Fr]—lively; animated
- assez [Fr]—quite, enough, fairly
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- deux [F]—two
- entrain [F], avec entrain—briskly, animated, spirited
- entrata [I], entrée {f]—entrance, introduction, prelude
- lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
- marcia [I], alla marcia, marche [F], Marsch [G], march [E], marciale, marziale—march, in the manner of a march, e.g. duple meter at a moderate but deliberate pace in a manner which may be proud, grand, like a parade or a show of military bravado.
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
- sarabande, saraband, sarabanda—A Spanish Renaissance / Baroque dance in triple meter. In France and Germany, it tended to be slow and stately.
- suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.