Vincenzo Ferroni (1858-1934)

Nationality: Italian

Born: February 17, 1858, Milan Died: January 10, 1934 (age 75)

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Violin Sonata in F major, Op. 62

(for violin and piano)

12:00	I.	Allegretto cantabile
3:23	II.	Larghetto
8:34	III.	Allegro marziale

Duration: 24 minutes (approximately)

Published: 1922, Mauro Cardilli of New York (age 63-64)

Dedication: Ferruccio Pilotti

1 recording, 3 videos

autoopen autoplay

12:00

Luca Venturi, Marco Venturi

I. Allegretto cantabile

3:23

Luca Venturi, Marco Venturi

II. Larghetto

8:34

Luca Venturi, Marco Venturi

III. Allegro marziale

glossary

allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
cantabile, cantate, cantando—singing, lyrical, flowing
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
larghetto—slow, but a bit faster than largo
marcia [I], alla marcia, marche [F], Marsch [G], march [E], marciale, marziale—march, in the manner of a march, e.g. duple meter at a moderate but deliberate pace in a manner which may be proud, grand, like a parade or a show of military bravado.
marziale [I]—martial; in a march style
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.