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IMSLP (score)
[8] Fantasiestücke for Piano Trio, Op. 2
(for violin, cello and piano)
| 2:06 | I. | Adagio molto | |
| 1:56 | II. | Allegro vivace | |
| 1:00 | III. | Allegro con spirito | |
| 2:44 | IV. | Adagio con espressione | |
| 2:16 | V. | Allegro con impeto | |
| 3:11 | VI. | Allegretto grazioso | |
| 3:18 | VII. | Largo | |
| 4:33 | VIII. | Allegro vivace e con brio |
Duration: 22 minutes (approximately)
Composed:
1897 (age 23-24)
1 recording,
8 videos
autoopen
autoplay
2:06
László Fenyö, Oliver Triendl
I.
Adagio molto
1:56
László Fenyö, Oliver Triendl
II.
Allegro vivace
1:00
László Fenyö, Oliver Triendl
III.
Allegro con spirito
2:44
László Fenyö, Oliver Triendl
IV.
Adagio con espressione
2:16
László Fenyö, Oliver Triendl
V.
Allegro con impeto
3:11
László Fenyö, Oliver Triendl
VI.
Allegretto grazioso
3:18
László Fenyö, Oliver Triendl
VII.
Largo
4:33
László Fenyö, Oliver Triendl
VIII.
Allegro vivace e con brio
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- brio [I], con brio, brioso—vigor, vigorously, with fire
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- e [It]—and
- espressivo [I], con espressione, expressif [F], con expresión [S]—expressive, with expression.with feeling
- fantasie, fancy, fantasia, fantasy, fantazy, fantazia, phantasy, phantasie, fantaisie [F] —generally, a piece of music favoring a free flight of expression over strict adherence to formal rules; suggesting an improvisational character. However, there are at least two more specific historical meanings: 1) the fantasia/fantasie/fancy of English Renaissance viol consort music and 2) Cobbett's Phantasie, an early 20th century form of single-movement chamber music inspired by the Renaissance fancy with the goal of stimulating new English chamber or "consort" music.
- grazioso [I], con grazia, gratioso, graziös [G], Mit Grazie—graceful, gracefully; easy
- impetuoso [I], con impeto, con impetuo—impetuous, vehement, boisterous
- largo—slow, solemn, sustained.slower than lento. faster than grave
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- piano trio, Klaviertrio [G], Trio avec piano [F]—ensemble comprising violin, cello, and piano or a composition for such an ensemble. Second only to the string quartet as an essential genre, form, and ensemble of chamber music, filling a large part of the classic and modern repertoire with contributions from nearly every important composer. Explore the piano trio | wiki
- spirito, con spirito, spiritoso, spirituoso—Spirited, lively
- stück [G], stücke (plural)—piece, composition
- trio (1)—an ensemble or work for 3 players
- vivace—brisk, lively tempo faster than allegro