William Shield (1748-1829)

Nationality: English

Born: March 5, 1748, Swalwell Died: January 25, 1829, London (age 80)

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String Trio No. 1 in E-flat major

(for violin, viola and cello)

3:48	I.	Allegro
1:51	II.	Largo
2:09	III.	Giuoco: Alla Sclavonia. Tempo Straniere con Variazione. Allegretto ma non troppo presto

Duration: 8 minutes (approximately)

Composed: 1796 (age 47-48)

1 recording, 3 videos

autoopen autoplay

3:48

Trio Szabadi

I. Allegro

1:51

Trio Szabadi

II. Largo

2:09

Trio Szabadi

III. Giuoco: Alla Sclavonia. Tempo Straniere con Variazione. Allegretto ma non troppo presto

glossary

alla [I], all', à la [F]—to the, in the manner of
allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
largo—slow, solemn, sustained.slower than lento. faster than grave
ma—but, however
presto—very fast, more so than allegro.
string trio, Streichtrio [G], Trio d'archi [I], Trio à cordes [F], Trío de cuerdas [S] —a work for three stringed instruments, most commonly violin, viola and cello. A more rarefied form than the string quartet perhaps because the texture is sparse (each instrument highly exposed) and the means more difficult for natural harmonic richness. But these become challenges and assets in the great trios. Trios almost always emphasize countrapuntal writing with each of the three players in strong relief.
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
tempo, tempi [pl]—speed or pace at which music progresses. Traditional classic music typically uses standard Italian words to designate the tempo, e.g. Allegro or adagio. Metronome markings provide precise numerical speeds. Tempo selection during performance is a complex artistic choice informed by composer's markings, performance tradition, technical limitations and interpretation.
troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
variation, variazione, variatio, variato, variata—a modified re-iteration of a previous theme, reprise, couplet, etc. The music is varied, embellished or creatively transformed for variety while maintaining a unity relationship with the original. See "Theme and Variations."