Wolfgang Amadeus Mozart (1756-1791)
Nationality:
Austrian
Born: January 27, 1756, Salzburg Died: December 5, 1791, Vienna (age 35)
Divertimento in C major, No. 2, K.Anh.229 / 439b
(for 2 clarinets and bassoon)
| 2:04 | I. | Allegro | |
| 4:05 | II. | Menuetto - Trio | |
| 3:42 | III. | Larghetto | |
| 4:42 | IV. | Menuetto - Trio | |
| 3:13 | V. | Rondo |
Duration: 17 minutes (approximately)
Published:
1803
1 recording,
5 videos
autoopen
autoplay
2:04
Orkin, et. al.
I.
Allegro
4:05
Orkin, et. al.
II.
Menuetto - Trio
3:42
Orkin, et. al.
III.
Larghetto
4:42
Orkin, et. al.
IV.
Menuetto - Trio
3:13
Orkin, et. al.
V.
Rondo
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glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- divertimento [I], divertissement [F]—amusement, diversion, entertainment, even table music; Typically, a suite of movements (often more than 4) often intended for diversion and pleasure of a lighthearted nature suitable for social occasions. Typically implies a smaller chamber ensemble. The name was common in 18th century for a variety of music, some of which was more serious and profound than its title would suggest. The French divertissement can apply to an entr'acte: dances and airs from other acts.
- larghetto—slow, but a bit faster than largo
- minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
- rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
- trio (1)—an ensemble or work for 3 players
- trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.