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Wolfgang Amadeus Mozart (1756-1791)
Nationality:
Austrian
Born: January 27, 1756, Salzburg Died: December 5, 1791, Vienna (age 35)
Violin Sonata No. 17 in C major, Op. 2, No. 2, K. 296
(for violin and piano)
| 6:19 | I. | Allegro vivace | |
| 5:36 | II. | Andante sostenuto | |
| 4:17 | III. | Rondeau. Allegro |
Duration: 18 minutes (approximately)
Composed:
1778 (age 21-22)
Published:
1781 (age 24-25)
Dedication: Josepha von Auernhammer
4 recordings,
9 videos
autoopen
autoplay
6:14
Isaac Stern, Yefim Bronfman
I.
Allegro vivace
5:15
Isaac Stern, Yefim Bronfman
II.
Andante sostenuto
4:02
Isaac Stern, Yefim Bronfman
III.
Rondeau. Allegro
6:18
Radu Lupu, Szymon Goldberg
I.
Allegro vivace
5:57
Radu Lupu, Szymon Goldberg
II.
Andante sostenuto
4:09
Radu Lupu, Szymon Goldberg
III.
Rondeau. Allegro
5:37
Itzhak Perlman, Daniel Barenboim
II.
Andante sostenuto
4:39
Itzhak Perlman, Daniel Barenboim
III.
Rondeau. Allegro
19:39
Kuijken, Devos
Related Composers
Leopold Mozart (1719-1787)
Father
Nationality:
German
Born: November 14, 1719, Augsburg Died: May 28, 1787, Salzburg (age 67)
Franz Mozart (1791-1844)
Son
Nationality:
Austrian
Born: July 26, 1791, Vienna Died: July 29, 1844, Carlsbad (age 53)
Johann Hummel (1778-1837)
Student
Nationality:
Austrian
Born: November 14, 1778, Pressburg (now Bratislava) Died: October 17, 1837, Weimar (age 58)
Joseph Haydn (1732-1809)
colleague
Nationality:
Austrian
Born: March 31, 1732, Rohrau, Austria Died: May 31, 1809, Vienna (age 77)
Emanuel Aloys Förster (1748-1823)
Friend/Colleague
Nationality:
Austrian
|
Bohemian
Born: January 26, 1748, Niederstaina Died: November 12, 1823, Vienna (age 75)
Paul Wranitzky (1756-1808)
Friend/Colleague
Nationality:
Moravian
|
Czech
Born: December 30, 1756, Nová Říše, Moravia Died: September 29, 1808, Vienna (age 51)
Anton Eberl (1765-1807)
Student
Nationality:
Austrian
Born: June 13, 1765, Vienna Died: March 11, 1807, Vienna (age 41)
Josef Fiala (1748-1816)
Friend/Colleague
Nationality:
Czech
Born: February 3, 1748, Lochovice, Bohemia Died: July 31, 1816, Donaueschingen (age 68)
glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- rondeau, rondeaux—An early Baroque instrumental form featuring a recurring refrain interspersed with contrasting couplets or episodes. Eventually transformed into the Rondo of the classical period.
- rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- sostenuto [I], soutenu [F]—sustained, perhaps a bit slow
- violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.
- vivace—brisk, lively tempo faster than allegro