|
1978
|
22-23
|
|
linear cycles II (for violin and piano)
|
|
|
1978
|
22-23
|
10:00
|
|
|
|
1981
|
25-26
|
|
a wind of suspended prominences (for clarinet and piano)
|
|
|
1983
|
27-28
|
|
String Quartet No. 2
|
|
|
1984
|
28-29
|
|
her eastern light amid a cavernous dusk for Wind Quintet
|
|
|
1984
|
28-29
|
|
notturno (crystals of suspended evening) (for flute, oboe, cello and harpsichord)
|
|
|
1986
|
30-31
|
|
a veil of liquid diamonds for String Quartet
|
|
|
1987-1988
|
31-33
|
|
a pond within the drifting dusk (for alto flute, cello and harp)
|
|
|
1988
|
32-33
|
|
the focus of blue light (for violin and piano)
|
|
|
1990
|
34-35
|
|
a diffuse light that knows no particular hour (for alto flute, clarinet, violin, cello and piano)
|
|
|
1990
|
34-35
|
|
filaments (for 2 flutes)
|
|
|
1993
|
37-38
|
|
2 Miniatures (for violin and piano)
|
|
|
1995
|
39-40
|
|
a still radiance within dark air (for flute, clarinet, violin, cello and piano)
|
|
|
1996
|
40-41
|
|
eight aspects of appreciation (for violin and viola)
|
|
|
1996
|
40-41
|
18:00
|
|
|
|
1997
|
41-42
|
|
a window of resonant light (for cello, piano and percussion)
|
|
|
1997
|
41-42
|
|
ringing fields of enveloping blue (for cello and piano)
|
|
|
1998
|
42-43
|
|
in afternoons of deep and amplified air for String Quartet
|
|
|
1999-2000
|
43-45
|
|
undiluted days for Piano Trio
|
|
|
2000
|
44-45
|
|
still air (for 3 bass viols)
|
|
