|
1999-2000
|
43-45
|
|
undiluted days for Piano Trio
|
|
|
2004
|
48-49
|
|
toward the deepening stillness beyond visible light (for piano and string quartet)
|
|
|
2001
|
45-46
|
|
through the filtering dawn of spreading daybright (for viola and bass)
|
|
|
2011
|
55-56
|
|
through a stillness brightening (for violin, clarinet, bassoon, trumpet, trombone, vibraphone, marimba and bass)
|
|
|
2011
|
55-56
|
|
three short duos (for violin and harp)
|
|
|
2002
|
46-47
|
15:00
|
|
|
|
2007
|
51-52
|
|
the play of intervening objects for Wind Quintet
|
|
|
1988
|
32-33
|
|
the focus of blue light (for violin and piano)
|
|
|
2013
|
57-58
|
|
still air for Piano Quartet
|
|
|
2000
|
44-45
|
|
still air (for 3 bass viols)
|
|
|
1997
|
41-42
|
|
ringing fields of enveloping blue (for cello and piano)
|
|
|
1984
|
28-29
|
|
notturno (crystals of suspended evening) (for flute, oboe, cello and harpsichord)
|
|
|
1978
|
22-23
|
|
linear cycles II (for violin and piano)
|
|
|
2005
|
49-50
|
|
in the community of encompassing hours for Piano Trio
|
|
|
2008
|
52-53
|
|
in soft echoes . . . a world awaits for String Trio
|
|
|
1996
|
40-41
|
18:00
|
|
|
|
1998
|
42-43
|
|
in afternoons of deep and amplified air for String Quartet
|
|
|
1984
|
28-29
|
|
her eastern light amid a cavernous dusk for Wind Quintet
|
|
|
2008
|
52-53
|
|
further evolving . . . (for flute, cello and piano)
|
|
|
1990
|
34-35
|
|
filaments (for 2 flutes)
|
|
