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Sonata [da chiesa] a tre in e minor, Op. 3, No. 7
(for 2 violins, cello or archlute and organ basso continuo)
| 1:55 | I. | Grave | |
| 1:13 | II. | Allegro | |
| 2:04 | III. | Adagio | |
| 1:25 | IV. | Allegro |
Duration: 6 minutes (approximately)
Published:
1689 (age 35-36)
4 recordings,
13 videos
autoopen
autoplay
2:13
Ensemble Aurora, Enrico Gatti
I.
Grave
2:19
Ensemble Aurora, Enrico Gatti
II.
Allegro
2:14
Ensemble Aurora, Enrico Gatti
III.
Adagio
1:32
Ensemble Aurora, Enrico Gatti
IV.
Allegro
1:30
London Baroque
I.
Grave
0:51
London Baroque
II.
Allegro
1:51
London Baroque
III.
Adagio
1:24
London Baroque
IV.
Allegro
1:57
Purcell Quartet
I.
Grave
0:51
Purcell Quartet
II.
Allegro
2:05
Purcell Quartet
III.
Adagio
1:22
Purcell Quartet
IV.
Allegro
6:36
Musica Amphion
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- basso continuo [I], continuo, b.c., figured bass, thoroughbass, basse chifrée [F], fondement [F], basso generale [I]—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- chiesa [I], da chiesa, per chiesa—church. Used in "Sonata da chiesa" to distinguish a "church" sonata from a "chamber" sonata (Sonata da camera). A chamber sonata tends to include dance movements whereas a church sonata emphasizes counterpoint. Such distinctions are often quite blurry in practice.
- grave [I], gravement [F]—Solemn, serious, slow, ponderous
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
- trio sonata, sonate en trio, sonata a tre—A chief form/genre of chamber music in the Baroque era. The "trio" indicates three components or parts: two soloists and a bass with continuo. Typically comprises multiple movements in a variety of layouts. Explore the trio sonata. | wiki